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BBC’s “Blue Planet 3” deliberately keeps imperfect shots, keeping them separate from AI “perfect images”

IT Home On October 25, it was reported that the BBC documentary “Blue Planet 3” intends to retain those unperfect shots in order to prove the authenticity of the content. A hallmark of previous episodes in this series is the exquisite, clear images that seem almost unreal.

IT Home On October 25, it was reported that the BBC documentary “Blue Planet 3” intends to retain those unperfect shots in order to prove the authenticity of the content. A hallmark of previous episodes in this series is the exquisite, clear images that seem almost unreal. However, a major flaw in AI-generated content is that the images are overly polished and flawless. To avoid this perception, “Blue Planet 3” chooses to present things as they are, without any deliberate beautification.

IT Home noticed that executive producer Elizabeth White mentioned in an interview with The Guardian that, in the past, the numerous plankton and other debris floating in the water would have been enough for the team to cut out this footage. Or they might adjust the composition, remove the ships and buoys from the image, or simply decide: “The water quality simply does not meet the filming requirements.” But this time, they chose to keep all these images, showing a more real and natural view of the ocean.

This documentary captures many stunning natural scenes: dolphins using sponges to block the holes and hunt fish, different species of fish communicating with each other, and two hundred thousand crabs forming a line to feed. White believes that real marine life “might be even more amazing than what artificial intelligence can imagine.”

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